Lionsgate's 'Now You See Me: Now You Don't' opened in line with projections, grossing $8.4 million from Friday and previews towards an expected $21-24 million weekend, a modest return on its over $90 million budget, with the studio mitigating risk by selling international rights. Conversely, Paramount's $110 million budgeted 'The Running Man' underperformed, taking in $6.4 million for a projected $17-19 million debut, missing initial forecasts amid a crowded November release schedule. Other notable performances include Disney's 'Predator: Badlands' experiencing a sharp 68% second-Friday drop and Neon's 'Keeper' debuting weakly at $1 million.
Lionsgate (LION) saw its "Now You See Me: Now You Don't" debut largely in line with projections, securing $8.4 million from Friday and previews towards an estimated $21-24 million three-day opening. This performance, while modest against its over $90 million production budget, aligns with the prior installment's opening and is supported by the studio's strategy of selling international rights to limit financial exposure. The film received a "B+" Cinema Score, indicating positive audience reception despite mixed critical reviews. In contrast, Paramount's (PSKY) "The Running Man" significantly underperformed, grossing $6.4 million from Friday and previews for a projected $17-19 million debut, falling short of its initial $20 million-plus forecast. This is particularly concerning given its substantial $110 million production budget and the looming crowded November release schedule. Disney's (DIS) "Predator: Badlands" also showed weakness, experiencing a sharp 68% drop on its second Friday to $3.5 million, indicating diminishing audience interest post-opening. The weekend box office highlights a mixed consumer demand landscape within the media and entertainment sector, with franchise extensions showing varied success. While Lionsgate managed expectations, Paramount faces a challenging path to profitability for its new release, and Disney's sequel demonstrates rapid decay in its second week. These results underscore the increasing difficulty for studios to launch new tentpoles or sustain interest in existing franchises amidst high production costs and intense market competition.
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