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‘Zootopia 2’ Still Going Wild With $140M 5-Day Opening After 2nd Best $39M+ Pre-Thanksgiving Wednesday & ‘A’ CinemaScore; ‘Wicked: For Good’ Flying To $91M – Box Office Update

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‘Zootopia 2’ Still Going Wild With $140M 5-Day Opening After 2nd Best $39M+ Pre-Thanksgiving Wednesday & ‘A’ CinemaScore; ‘Wicked: For Good’ Flying To $91M – Box Office Update

Disney’s Zootopia 2 opened strongly with $39.5M Wednesday (including $10.2M in previews) across ~4,000 theaters and is projected for roughly $88M–$90M over Fri–Sun and ≈$140M over the five-day Thanksgiving window, with strong audience metrics (A CinemaScore, 95% RT audience). Universal’s Wicked: For Good posted about $17M Wednesday at ~4,115 locations and is tracking to roughly $61M (3-day) and $91M (5-day) with a running total near $268M. Other notes of interest for exhibitors and studios: Netflix’s Wake Up Dead Man has a very limited theatrical footprint with conservative estimates (~$600K Wed, $2M 3-day), top-20 daily grosses are down year-over-year, and overall box-office performance this holiday will hinge on Black Friday and weekend holds.

Analysis

Market structure: Holiday tentpoles (DIS’s Zootopia 2, UVV’s Wicked) re‑establish studio pricing power for PLF/IMAX screens and drive exhibitor (CNK) fill rates; expect 5‑day domestic boosts of +$100M–$140M for top titles and +5–10% concession revenue for chains over the two‑week season versus baseline. Premium formats (IMAX, PLF, 3D) are capturing ~21% of early receipts for Zootopia 2, implying sequencing and screen allocation will be a 1–3 month revenue re‑rating lever for IMAX and exhibitors. Risk assessment: Tail risks include a theater‑chain standoff or a surprise streaming embargo (Netflix/major studio windows) that depresses box office multipliers (-20–40% downside to estimates within weeks), and reputational risk if Netflix’s Knives Out 3 underperforms in limited release leading to content monetization questions. Near term (days) outcomes hinge on Black Friday +95% day, short term (weeks) on 2‑week multipliers, long term (quarters) on downstream streams/merch and park cross‑sell; hidden dependencies: merchandising, international windows, and studio release cadence. Trade implications: Favor long exposure to DIS and IMAX to capture PLF pricing power and holiday upside (estimate +5–12% relative season lift over 1–2 months) and small long on CNK for positive box office flow; short selective streaming exposure (NFLX) to express market disappointment on theatrical strategy and potential subscriber churn from limited theatrical pursuit. Use options to define risk: buy time‑spread calls on DIS and IMAX (8–12 week expiries) and buy outright puts or put spreads on NFLX around the Dec 12 Knives Out streaming date to capitalize on negative sentiment if theatrical counts stay limited. Contrarian angles: Consensus underestimates exhibitor benefit from concentrated tentpoles (top two films can drive >50% incremental weekend spend) and overstates permanent shift to streaming; conversely the market may be overpricing Disney’s upside vs sequel fatigue—if Zootopia 2 tails below $125M 5‑day (threshold), quick mean reversion of DIS shares by -6–10% is likely. Historical parallels: Moana 2 shows upside multi‑week legs are possible, but sequels often front‑load; trade sizing should assume 30–40% chance of weaker legging and cap position sizes accordingly.