Disney’s Zootopia 2 reclaimed the domestic box-office top spot with $26.3 million in its third weekend and has now surpassed $1 billion globally, reaching $1.14 billion driven by an outsized China haul of $502.4 million, making it one of only two 2025 Hollywood films to clear $1 billion (alongside Disney’s Lilo & Stitch). Universal/Blumhouse’s Five Nights at Freddy’s 2 plunged 70% to $15.4 million in its second weekend but has a healthy domestic total of $95.5 million on a reported $36 million budget, while James L. Brooks’s Ella McCay opened weakly with $2.1 million against a $35 million cost. With year-to-date ticket sales roughly flat with last year per Comscore, studios are looking to the upcoming holiday slate — led by Avatar: Fire and Ash and other tentpoles — to drive year-end box-office recovery.
“Zootopia 2” reclaimed the domestic No. 1 spot with $26.3 million in its third weekend and has now reached $1.14 billion in global ticket sales, driven by an outsized $502.4 million in China; it is one of only two 2025 Hollywood films to top $1 billion worldwide (the other being Disney’s “Lilo & Stitch” at $1.04 billion). The film’s China result makes it the biggest Hollywood hit in that market in years, while the Chinese domestic blockbuster “Ne Zha 2” has collected nearly $2 billion, illustrating the extreme scale of the China box-office opportunity and concentration risk for Hollywood tentpoles. Universal/Blumhouse’s “Five Nights at Freddy’s 2” fell 70% to $15.4 million in its second weekend but has a domestic total of $95.5 million on a reported $36 million production budget, implying healthy profitability despite steep decay. James L. Brooks’s “Ella McCay” opened to a weak $2.1 million from 2,500 locations against a $35 million cost and 22% Rotten Tomatoes, underscoring continued demand headwinds for mid‑budget adult dramas in wide release. Comscore data showing year-to-date ticket sales roughly flat with last year, combined with a mildly positive market sentiment score (0.25) and a DIS per‑ticker sentiment of 0.6, suggest cautious optimism for studio revenues but also highlight reliance on a narrow set of high-performing releases and China performance; the upcoming holiday slate (including “Avatar: Fire and Ash”) will be the primary near‑term catalyst and risk to current momentum.
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mildly positive
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