Paramount's $110 million reboot of "The Running Man," starring Glen Powell, significantly underperformed with a $17 million domestic and $28.2 million global opening, largely attributed to internal studio turmoil. This included a marketing department leadership vacuum during a management transition under David Ellison, reported disinterest from new executives, and budget cuts, compounded by strong competition from Lionsgate's "Now You See Me: Now You Don't" and a narrow, male-dominated audience for the R-rated sci-fi film. The outcome underscores the challenges facing 1980s sci-fi IP revivals and the critical impact of corporate transitions on major film releases.
Paramount's $110 million reboot, "The Running Man," significantly underperformed its opening projections, grossing only $17 million domestically and $28.2 million globally. This starkly contrasts with star Glen Powell's recent successes like "Top Gun Maverick" ($1.49 billion) and "Twisters" ($372 million), and was overshadowed by Lionsgate's "Now You See Me: Now You Don't," which achieved $21.3 million domestic and $75.5 million worldwide. The primary drivers for this underperformance appear to be internal studio turmoil at Paramount, specifically a management transition under David Ellison. A critical marketing department vacuum, following Marc Weinstock's exit and Josh Goldstine's late arrival, led to a "limbo" among staff and reported budget cuts, hindering the film's promotional campaign. New leadership also reportedly lacked enthusiasm for the film. Furthermore, the R-rated sci-fi film struggled to broaden its appeal beyond an older, male-dominated audience, unlike its PG-13 competitor. This outcome reinforces a trend of underperforming 1980s sci-fi IP reboots, such as "Tron Ares" ($141M global on $220M cost) and "Blade Runner 2049" ($278M global on $150-185M cost), suggesting a challenging market for such ventures despite critical reception (64% fresh vs. 59% rotten for its competitor).
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