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‘Super Mario Galaxy Movie’ With $747M+ WW Pushes Illumination-Nintendo Pic Franchise To $2B – Global Box Office

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‘Super Mario Galaxy Movie’ With $747M+ WW Pushes Illumination-Nintendo Pic Franchise To $2B – Global Box Office

Super Mario Galaxy Movie took in $83.2M globally this weekend, lifting its worldwide total to $747.4M and pushing the two-film Nintendo/Illumination/Universal franchise past $2B, making it the 10th biggest animated feature series of all time. The film is now the highest-grossing movie year-to-date, overtaking Pegasus 3 at $647.8M, while Project Hail Mary reached $573.1M global cume after a $41.4M fifth weekend. New release The Mummy opened to $34M globally, led by $20.5M overseas, and Boulevard expanded to $1.8M for the weekend and $2.5M cumulative.

Analysis

IMAX is the cleanest expression of the current box office mix shift: premium format share is compounding even when the headline gross looks stable. The important second-order effect is that a franchise with broad family appeal plus a horror title both converting in IMAX validates the pricing power of large-format screens across very different audience cohorts, which should support utilization, not just per-capita ticket yield, into the next few quarters. The bigger structural takeaway is that theatrical demand is becoming more bifurcated by format, not just by title quality. Studios with tentpole pipelines can increasingly use PLF as a margin lever, while exhibitors without premium screens risk losing mix to IMAX and other large-format operators. If Japan over-indexes on the family title as expected, that would reinforce the thesis that overseas family animation remains the most durable global theatrical category, with IMAX as an incremental monetization layer rather than the core demand driver. For IMAX specifically, the near-term risk is not demand but comp dilution: the market may already be discounting a strong slate and underappreciating how much of the upside comes from the next few release windows, not the current weekend. The contrarian point is that horror-driven IMAX outperformance is likely more repeatable than consensus assumes, because scarcity of premium screens can force genre films into event status when the underlying brand is strong. The main reversal risk is a weak Japan launch for the animated sequel or a sharp drop in premium-format share if a competing tentpole steals PLF inventory over the next 1-2 months.