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‘The Devil Wears Prada 2’ Strikes A Pose Thursday Night With $10M Previews, $50M+ WW – Box Office Update

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‘The Devil Wears Prada 2’ Strikes A Pose Thursday Night With $10M Previews, $50M+ WW – Box Office Update

Disney’s The Devil Wears Prada 2 is off to a strong start with $10M in Thursday night U.S. previews and $50.5M global so far, with early forecasts pointing to roughly $180M worldwide. The sequel is tracking ahead of several recent studio openings on previews and presales, while reviews and audience reception are solid at 78% and 88% on Rotten Tomatoes, respectively. NEON’s Hokum also posted a healthy $900K in previews, including $600K Thursday previews and $300K from mystery screenings.

Analysis

DIS is getting a near-term sentiment tailwind that matters more than the absolute box office: strong previews and broad premium-format allocation improve the odds that the film clears the first-weekend hurdle with little leakage into the second week. The bigger implication is that Disney is proving it can still monetize legacy IP with a female-skewing event title, which is helpful for valuation because it reinforces the thesis that studios can still create theatrical tentpoles without relying solely on superhero fatigue cycles. The second-order winner is the exhibition ecosystem, especially premium formats and dine-in operators, where a concentrated, dress-up event can lift per-screen economics and concession attach rates beyond what pure admissions imply. That said, the setup is likely front-loaded: when enthusiasm is tied to a fashion/event release rather than a four-quadrant franchise, the opening can look better than the ultimate legs, so the market may over-extrapolate from weekend 1 into the full theatrical run. NEON’s preview strength is a smaller but cleaner signal: original horror with strong critical reception tends to have a wider error bar on the upside than the market models, especially when mystery-screening demand is already monetized before opening. If the initial audience is young and social, the comp set suggests a path to outperform expectations, but horror also remains highly sensitive to audience scores after release; a two-point RT deterioration can quickly compress the multiple on enthusiasm. Contrarian angle: the consensus may be overestimating the durability of the Disney signal while underpricing the cross-sell into exhibitor throughput. This is less about one movie and more about evidence that consumers still buy premium, occasion-driven theatrical events when the marketing is identity-based and social-media legible. The risk is that a soft domestic multiplier or weak weekday drop-offs will turn the narrative into a one-week pop rather than a structural improvement in studio economics.